Revival Series

Every Saturday at 11:30am, Monday at 7pm and Thursday at 9pm, the Charles presents repertory films in DCP format (and from time to time on 35mm film) in The Charles’ original 360 seat theatre.

VIEW CALENDAR

Showtimes are only for today,

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Stop Making Sense Thursday, January 1
Annie Hall Saturday, January 3
The Last Days of Disco Thursday, January 8
Crumb Saturday, January 10
Best in Show Thursday, January 15
Playtime Saturday, January 17
Safe Thursday, January 22
The Lovers on the Bridge Saturday, January 24
Jacob’s Ladder Thursday, January 29
Cinderella Saturday, January 31
L’Avventura Monday, February 2
Ghost Dog: The Way of the Samurai Thursday, February 5
Viridiana Saturday, February 7
Angel’s Egg Thursday, February 12
Cabaret Saturday, February 14
DESPERATELY SEEKING SUSAN Thursday, February 19
Dark Passage Saturday, February 21
Naked Lunch Thursday, February 26
All That Jazz Saturday, February 28
La Haine Thursday, March 5
The Cook, The Thief, His Wife and Her lover Saturday, March 7
Predator Thursday, March 12
The Verdict Saturday, March 14
Adaptation Thursday, March 19

Stop Making Sense

One of the great live bands of the late 20th century hit the stage with a show designed to make the most of their prowess, add to the impact of the performance, and distract the least from the musicians and songs. They got one of the best and most adaptable directors of the era to film it. Together, they created one of the top f more »

1/24

Annie Hall

Woody Allen’s Woody Allen shtick hasn’t aged well, to say the least, but you’re really here for the late Diane Keaton, right? In truth, she only embodies the title caricature—big hat, menswear, gawky demeanor, bad driver—for a few minutes here. Otherwise, she’s a remarkably three-dimensional character who, as more »

2/24

The Last Days of Disco

A slice of life about the courtship rituals of young white affluent Manhattanites about 5 seconds before AIDS changed everything and 10 years before the entire island began bending to their will. Whit Stillman’s comedies of the mannered retain their droll charm, and sharp turns from Chloë Sevigny, Kate Beckinsale, and Stillman s more »

3/24

Crumb

You think your family is odd? Meet the Crumbs. Charles is a mentally ill shut-in. Maxon is an ascetic mendicant. Robert is celebrated as one of the 20th century’s great artists and damned for the sexism and racism in his work. Terry Zwigoff’s engrossing documentary not only lays bare R. Crumb’s life, it gets at something deep an more »

4/24

Best in Show

Who doesn’t love dogs? Who doesn’t love Christopher Guest’s improvised comedies? A cast of Guest regulars (including Eugene Levy, Catherine O’Hara, Michael McKean, John Michael Higgins, Parker Posey, Jane Lynch, and Jennifer Coolidge) embody obsessive dog-show types angling for blue ribbons. Fred Willard arrives late and puts th more »

5/24

Playtime

True story: Jacques Tati shot his wry comedy epic on 70 mm in order to capture every purpose-built mid-century architectural detail, every bit of odd background business, and every sight gag, no matter how broad or subtle. The film’s loving sendup of the modern world still works a half century later because of Tati’s read on peo more »

6/24

Safe

Todd Haynes’ astonishing second feature has aged a bit, but it’s also deepened and gained in its disturbing power. Julianne Moore’s suburban lady who lunches is such a virtuoso blank that her descent into inexplicable illness and malaise functions as a kind of skeleton-key metaphor, fitting a dozen social ills over the past 30 y more »

7/24

The Lovers on the Bridge

Leos Carax faced two nearly insurmountable challenges here: shooting on the Pont Neuf bridge, one of Paris’ major thoroughfares, and making Juliette Binoche look haggard. He rose to the occasion for his breakout, combining documentary grit with classic melodramatic amour as Binoche and the great Denis Lavant play two star-crosse more »

8/24

Jacob’s Ladder

Tim Robbins delivers mail in gritty old NYC, but visions of demons and literal Vietnam flashbacks interrupt his shackup bliss with girlfriend Elizabeth Peña.The this-is-a-true-ish-story frame is kinda dumb, but class-trash peddler Adrian Lyne plays way over his head here and makes no errors as the dread creeps. Endlessly ripped- more »

9/24

Cinderella

Yes, it’s a fairytale princess story, but the venerable Disney adaptation also resembles a Tom and Jerry cartoon for a good chunk of runtime as a cartoon cat and a gang of mice wage goofy war. There’s also female undermining and patriarchal machinations. And some stunning hand-drawn animation, of course. -Lee Gardner more »

10/24

L’Avventura

A woman disappears on a barren Mediterranean islet during a yachting jaunt. Her fiance (Gabriele Ferzetti) and her best friend (Monica Vitti) search for her. The mystery lies not in the disappearance, but in what happens to those left behind, as director/co-writer Michelangelo Antonioni crafts one of the richest texts of mid-cen more »

11/24

Ghost Dog: The Way of the Samurai

Jim Jarmusch transposes Jean-Pierre Melville’s Le Samouraï to urban East Coast America for this genre gem. Forest Whitaker tools up as a taciturn hitman who follows the ancient honor code of feudal Japan, bringing him into conflict with his employers, the local Mob. Isaach de Bankolé’s ice cream man and the RZA’s bumping score b more »

12/24

Viridiana

How does that saying go about good deeds? Silvia Pinal’s nun-to-be loathes her creepy old uncle (Fernando Rey) but nonetheless consents to visit him one last time before she takes her final vows. What ensues represents one of Luis Buñuel’s most thoroughgoing savagings of the Catholic Church, and that’s saying something. -Lee Gar more »

13/24

Angel’s Egg

A boy shouldering a cross-shaped weapon wanders a war–ravaged waste. A young girl cradles a round belly — in fact, it’s a large egg hidden under her dress, an egg she’s convinced is special. Writer/ director Mamuro Oshii (Ghost in the Shell) and illustrator Yoshitaka Amano (Final Fantasy) teamed up for this terse mindblower, nev more »

14/24

Cabaret

Everybody’s broke, people are being rounded up on the streets, and Nazis are on the rise. Yes, it’s Germany between the world wars, the setting of Bob Fosse’s screen adaptation of the Broadway smash. The ambisexual bed-hopping at the heart of the plot is au courant, too, though the film is at its louche best on the grotty stage more »

15/24

DESPERATELY SEEKING SUSAN

Madonna was never going to be a great actress, but she’s undeniable as a screen presence. She shot to stardom while Susan Seidelman was shooting this downtown romp with Rosanna Arquette as a Jersey housewife whose amnesia leads to her swapping lives with the Material Girl’s title wastrel. Lots of fun, not least for Manhattan pre more »

16/24

Dark Passage

Humphrey Bogart stars, though you don’t see his face for a third of the film. Delmer Daves shot the early reels from Bogart’s character’s POV—a bold gambit/ gimmick that helps enliven this solid noir. After plastic surgery, Bogart tries to prove his innocence with the help of Lauren Bacall. Several tense sequences and a kindly c more »

17/24

Naked Lunch

Turns out you can film pretty much any novel, though apparently there are limits to how queer you make it. David Cronenberg’s take on William S. Burroughs’ subterranean classic leans into surrealism, squalor, and ick as Peter Weller’s authorial stand-in infiltrates a nightmare demimonde undercover as a straight guy. If nothing e more »

18/24

All That Jazz

Womanizing workaholic substance-abusing chainsmoking Bob Fosse transformed his decline into one of the great American films, as clear-eyed about death, creativity, and denial as any movie ever made. You might not imagine Roy Scheider as the star of a musical, but then it’s tough to imagine a director making a film about his own more »

19/24

La Haine

It’s reductive to call it the French Do the Right Thing, but not inaccurate. Vincent Cassel, Saȉd Taghmaoui, and Hubert Koundé star as three young men living in a Parisian slum in the wake of an uprising. A friend lying near death after a beating by police and a cop’s lost gun complicate matters. Director Mathieu Kassovitz’s sil more »

20/24

The Cook, The Thief, His Wife and Her lover

Peter Greenaway’s prickly cinema finally hit big with arthouse audiences here. Food and sex will do that. Everybody despises Michael Gambon’s vile gangster, but he holds money and violence over restaurateur Richard Bohringer, just violence over wife Helen Mirren. That doesn’t prevent her from pursuing an affair in the restaurant more »

21/24

Predator

There’s so much testosterone sluicing through this movie that the print probably needs a shave. And that’s part of why it’s so much fun—big dudes with big guns meeting their otherworldly match in the sweaty jungles. That and spotting all the memes. -Lee Gardner more »

22/24

The Verdict

Lumetland is full of courthouses and bars and unappealing apartments, with the occasional posh paneled room just to make the regular Joes feel inferior. Paul Newman is a serious Lumet guy, a clay-footed lawyer with scotch for blood who gets a chance to turn it all around and blows nearly every shot at it. You’ve seen it all befo more »

23/24

Adaptation

That this movie ever existed, much less continues to, seems like some fake Wikipedia entry that will get taken down any minute. Nicolas Cage plays screenwriter/director Charlie Kaufman, who was hired to adapt Susan Orlean’s book The Orchid Thief. He did. That’s the film you’re watching. But it’s mostly about Kaufman’s inability more »

24/24