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Black Bag

When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband - also a legendary agent - faces the ultimate test of whether to be loyal to his marriage, or his country. more »

Tickets
1/27

Caligula: The Ultimate Cut

This version, ostensibly remade from unused footage, is meant to redeem the longtime cinema punchline from ignominy. But it’s not as if a film about the most notorious Roman emperor directed by a softcore auteur was likely to end up a tasteful bore. Caligula redux lacks the hardcore-porn inserts and tells a more coherent story b more »

Tickets
2/27

The Brutalist

PLEASE NOTE: Includes a 15-minute intermission and begins promptly, without trailers, at the scheduled showtime. When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client. more »

Tickets
4/27

I’m Still Here

A mother is forced to reinvent herself when her family's life is shattered by an act of arbitrary violence during the tightening grip of a military dictatorship in Brazil, 1971. more »

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5/27

Mickey 17

Mickey 17, known as an "expendable," goes on a dangerous journey to colonize an ice planet. more »

Tickets
6/27

No Other Land

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval. more »

Tickets
7/27

Fight Club

The film that inspired a generation of the most chud-like male behavior imaginable has dated in some respects—sooo many CGI fly- throughs! But it remains as light on its feet as a flyweight, dancing and landing dark comedic jabs even as its testosterone-poisoned “philosophy” inspires eyerolls. Say what you will about Brad Pitt—h more »

8/27

On Becoming A Guinea Fowl

On an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family. more »

9/27

LADY AND THE TRAMP

A pampered cartoon cocker slums it with the street dogs and complications ensue. The animation falls deep into the trough between classic old-school Disney magic and airless contemporary pixel-pushing, but the story and songs remain charming if pretty racist in spots. What was Walt’s deal with the 1910s, anyway? -Lee Gardner more »

10/27

La Dolce Vita

One Show Only! It’s become a shorthand reference for swinging Rome and the louche early ‘60s, but then Moby Dick isn’t really about a whale. Marcello Mastroianni’s playboy journalist cavorts through the city, chasing celebrities and women and eroding his soul in the process. Speaking of shorthand, this is where the full floweri more »

11/27

Blue Velvet

David Lynch presaged the modern internet back when the real thing was two tin cans and a string. Noir always posited a realm of vice and violence just beneath the surface of the sunlit world of family dinners and dates to the dance, but Blue Velvet makes the dark underneath’s accessibility—and more »

12/27

Bob Trevino Likes It

When lonely 20-something Lily Trevino accidentally befriends a stranger online who shares the same name as her own self-centered father, encouragement and support from this new Bob Trevino could change her life. more »

13/27

Death of a Unicorn

Father-Daughter duo Elliott and Ridley hit a unicorn with their car and bring it to the wilderness retreat of a mega-wealthy pharmaceutical CEO. more »

14/27

Early Spring

Yasujirō Ozu gets a bit soapy here, albeit in an Ozu kind of way. A bored salaryman (Ryō Ikebe) feeling distanced from his wife (Chikage Awashima) starts an affair with a young colleague (Keiko Kishi). Really, just admiring the director’s trademark three-or-four-shot transitions is almost worth the price of admission alone. -Lee more »

15/27

Dawn of Impressionism

The Impressionists are the most popular group in art history - millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything. more »

16/27

Saturday Night Fever

The soundtrack spins wall-to-wall bangers and the disco sequences thrill, but the reason journeyman John Badham’s epochal smash still works like a 4/4 beat comes down to character and story. John Travolta, never better as a sort of human husky dog, senses a bigger life beyond the 9-to-5 and the release of the dancefloor. But can more »

17/27

Soundtrack to a Coup D’Etat

The United States’ involvement in the 1960 assassination of Congolese leader Patrice Lumumba and the country’s subsequent decline into decades of dictatorship and ongoing instability is well-established. Filmmaker John Grimonprez creates a stylish and verve-y account of that history by infusing his 2024 documentary with the musi more »

18/27

Mulholland Drive

David Lynch took a failed post-Twin Peaks TV pilot and transformed it into a film regularly acclaimed as one of this century’s best, an LA story that’s both love letter and poison pen, a sun-baked/noir-lit Persona, a star-is-born showcase for Naomi Watts, the spawning grounds for at least a dozen memes, and an more »

19/27

A Woman is A Woman

Based on the unlikely premise that a man doesn’t want to have a baby with Anna Karina, Jean-Luc Godard’s first color film is soufflé-light but wicked smart. The director manages to make a ‘60s romantic comedy and an exploded drawing of one at the same time, playing with sound, music, dialogue, the fourth wall, credits, and other more »

20/27

Alphaville

Jean-Luc Godard mashes up sci-fi and noir to create something very much like a mid-’60s Godard film. Pug-faced Eddie Constantine plays a hard-boiled private eye dispatched to the titular future city on a mission who encounters a somewhat dystopian reality that closely resembles mid-century Paris. Both a time capsule and a visio more »

21/27

Killer of Sheep

Charles Burnett’s debut feature, shot mostly in the early ‘70s at the height of the Blaxploitation boom, captures an entirely different slice of Black life—thankless labor, scraping by, ordinary family, dreams deferred—via discursive vignettes and Burnett’s richly poetic eye. It feels like a miracle that this great film exists a more »

22/27

The Shrouds

Karsh, an innovative businessman and grieving widower, builds a device to connect with the dead inside a burial shroud. more »

23/27

Michelangelo: Love & Death

The spectacular sculptures and paintings of Michelangelo seem so familiar to us, but what do we really know about this Renaissance giant? more »

26/27