Each week repertory films will be presented on 35mm prints and DCP in The Charles’ original 362 seat theatre. There are three showings of a movie each week.
| The Servant | |
| Seven | Thursday, May 1 |
| Mildred Pierce | Saturday, May 3 |
| Heavy Metal | Thursday, May 8 |
| Let’s Get Lost | Saturday, May 10 |
| The Princess Bride | Thursday, May 15 |
| The Magnificent Ambersons | Saturday, May 17 |
| River’s Edge | Thursday, May 22 |
| Last Year at Marienbad | Saturday, May 24 |
| All About My Mother | Thursday, May 29 |
| Two by Herzog | Saturday, May 31 |
| Tenebrae | Thursday, June 5 |
| The Wages of Fear | Saturday, June 7 |
| Latcho Drom | Thursday, June 12 |
| Lifeboat | Saturday, June 14 |
| Showgirls | Thursday, June 19 |
James Fox is a classic upper-crust Brit twit. Dirk Bogarde is the perfect manservant for a respectable gentleman —or is he? Rather than settle for class-war cliches, screenwriter Harold Pinter and director Joseph Losey serve up something altogether more complex and delicious, and Fox gets in a dry run for his turn in Performance more »
Endlessly ripped-off to this day, David Fincher’s breakout manages the neat trick of balancing deep stylization (e.g. the constant rain) with palpable grit and realism as beleaguered cops chase a next-level serial killer. It helps that he’s got Morgan Freeman to ballast the emotional tone and aspirations to profundity. Brad Pitt more »
Michael Curtiz out-pulps James M. Cain’s original novel, staging a murder in the very first scene and streamlining the melodrama. The resulting adaptation not only brings the noir, it amps up the class division and the mother/daughter love/hate. If you ever wondered why Joan Crawford was a big deal, this is an excellent way to f more »
For 13-year-old boys of all ages. Back in the day, the titular comic brought European artists like Jean “Moebius” Giraud and “adult” themes to newstands. The titular film brings a brace of the comic’s stories to life through budget animation and a soundtrack crammed with bespoke tunes from classic rockers. Content warning: many, more »
It’s a genuine shock when Chet Baker cops to being 57 in this biodoc—he looks 30 years older. The contrast between his heartthrob younger days as the Great White Hope of jazz trumpet and the withered, scuffling addict of his final year on earth fuels fashion photographer Bruce Weber’s suitably elegant film. Despite the ad-campai more »
Is there anyone who doesn’t light up a little about this movie? Part fairy tale, part meta-comedy, Rob Reiner’s take on William Goldman’s story of farm boys, princesses, pirates, and giants still delights with its wry wit and flashes of genuine pathos. Secret MVP: Robin Wright Penn, who makes something really hard look easy. -Le more »
The fact that RKO cut nearly an hour out of Orson Welles’ follow-up to Citizen Kane and it still stands as one of the greatest films ever made has inspired decades of pained what-ifs. Welles shadows the title Midwestern clan as their 19th-century wealth and influence succumbs to onrushing modernity and simple hubris. Every scene more »
Every generation seems to have their coming-of-age film that Gets It. For the ‘80s kids, it was River’s Edge. A suburban hesher kills his girlfriend and shows his friends (including Keanu Reeves and Crispin Glover) her discarded body. Poorly equipped to deal by their ‘70s-hangover upbringings, they react mostly by not reacting a more »
The Nouveau Roman’s big-screen bow remains baffling and entrancing. Alain Renais’ camera prowls the Baroque halls and grounds of a luxe resort and occasionally alights on the dispassionate constituents of a love triangle as screenwriter Alain Robbe-Grillet’s narration goes on about its own elliptical business. An indelible cinem more »
As usual for a Pedro Almodóvar film, the plot here is so kinked and outrageous as to defy encapsulation. But wellspring performances from Cecelia Roth, Marisa Paredes, and Penélope Cruz wow. The director’s exploration of motherhood, sisterhood, and chosen family beguiles. And it looks like a billion pesetas. -LeeGardner more »
A pair of Werner Herzog’s underseen documentary shorts. God’s Angry Man focuses on Gene Scott, an old-school televangelist with a combative style—Herzog finds him glowering silently into a live television camera until the donations flow. High-speed cameras catch champion ski jumper Steiner flying high over spectators on his way more »
Dario Argento’s black-gloved hands strike again, this time racking up gruesome killings that mirror the ones Tony Franciosa’s novelist invented for his books. Can the scribbler figure out who’s taking his work as bloody inspiration before he falls victim? Crazy stalkers! Axe murders! Lesbians! Insane twists! C-movie bellwether J more »
What was the first action movie? One could make an argument for Henri-George Clouzot’s hot-sweat epic. There are only a few fights or firearms involved as desperate men (led by Yves Montand) stranded in a jungle hellhole seize a shot at trucking volatile nitroglycerin over hundreds of miles of gnarly road, but the two-fisted plo more »
What a treasure. Roma filmmaker Tony Gatlif uses his camera to track a real-life odyssey—the migration of Roma people and their musical culture from their roots in Rajasthan, in India, along the Mediterranean to Spain. No interviews, no title cards, no context. Just intimate, vibrant music and dance performances, almost any of w more »
Even “minor” Hitchcock looms tall over most directors’ peaks. Here he crams the title vessel with survivors from a WWII U-boat attack and wrests a world of drama, suspense, and intrigue from the cramped space between the gunwales. Tallulah Bankhead toplines a sterling cast. -Lee Gardner more »
Paul Verhoeven’s polarizing cinema punchline has aged well in the sense that it hasn’t gotten any worse. Screenwriter Joe Eszterhaz’s script about a frequently nude naif dancing her way to the top in Las Vegas remains a ridiculous line-o-rama, but the real reason the film inspires lols is poor Elizabeth Berkley, whose too-much p more »
