On Christmas Eve, Cliff, a newly sober improv comedian, cracks a tooth and lands in the emergency care of Didi, an older no-nonsense dentist. What begins as a routine check-up sparks an unpredictable evening of misadventures. Together, Cliff and Didi fight to overcome being shut out by their families, face their biggest fears, a
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A gripping psychological drama about a college professor (Julia Roberts) who finds herself at a personal and professional crossroads when a star student (Ayo Edebiri) levels an accusation against one of her colleagues (Andrew Garfield), and a dark secret from her own past threatens to come into the light.
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DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must
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After seventy years with best friend, Eleanor moves to New York City for a fresh start. Making new friends at ninety proves difficult. Longing for connection, she befriends a 19-year-old student.
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A loyal dog moves to a rural family home with his owner, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.
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Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.
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Robert Bresson’s penultimate film captures the post-’68 generation of Parisian youth on the comedown. Antoinne Monier’s protagonist is past thinking that revolution is at hand, the environment can be saved, or anything much matters. The director’s trademark use of a deliberately inert nonprofessional cast i
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One Night Only - October 22, 7PM! Scott Levy a/k/a Raven in Attendance
“Wrestling is such a brutal business… But why did it attract an artist [like Raven]?” asks Billy Corgan of the Smashing Pumpkins. That’s the mystery at the heart of Nevermore: The Raven Effect — a hard-hitting, wild ride through one of wrestling’s most chaotic eras.
Raven wasn’t just another wrestler. He was a grunge prophet in
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One Night Only - October 23rd, 7PM! A panel discussion will follow the screening.
Cracking the Code, narrated by Mark Ruffalo, is an inspiring story of vision, perseverance, and the power of science to change the world. Phil Sharp’s journey from a Kentucky farm boy to Nobel laureate embodies the American Dream and the triumph of entrepreneurial spirit. His 1977 groundbreaking discovery of RNA splicing rewrote
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Nicolas Cage’s outré acting style first fully flowered in his portrayal of an effete New York literary agent who, when not chasing one-night-stands or terrorizing a demure coworker (Maria Conchita Alonso), comes to believe he’s a vampire. The film is a fairly standard ‘80s indie, but Cage does something coc
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Satanism rears its horned head in Hollywood for the first time in this vintage spooky story starring Bela Lugosi and Boris Karloff. The “ordinary” honeymooners that set the story in motion are duds throughout, but the two stars bring the first-class creeps and scenery gnawing as they spar over deadly old gr
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Freddy Krueger creator Wes Craven rejoined the franchise as a screenwriter for the second sequel, and the quality jumps. Patricia Arquette and her top-drawer scream make their screen debuts among a group of troubled teens in a mental hospital who are being run through the wringer of the horror series’ oneiric logic and spectacul
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Two conspiracy obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
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With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
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The young special-needs son of a single father gets in trouble thanks to his pathological lies and trusting nature—he’s soon being trafficked, falling into substance abuse, and unhoused. Perhaps the most grim and yet most beautiful of the early Disney features. -Lee Gardner
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Stanley Kubrick’s masterpiece isn’t just a film—it’s a device that resets your internal sense of time, its deliberate pace bringing you back to 18th-century Europe more effectively than any periwig. Ryan O’Neal’s character offers a lesson for us all as he grasps and elbows his way up the ladder of society only to hit most of the
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TWO SCREENINGS ONLY - WEDNESDAY, 11/5/25, 7PM & SATURDAY, 11/8/25, 11:45AM
After 500 years Bosch’s paintings still shock and fascinate us. Delve into the vivid imagination of this true visionary. Who was Hieronymus Bosch? Why do his strange and fantastical paintings resonate with people now more than ever? How does he bridge the medieval and Renaissance worlds? Where did his unconventional and timele
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A WWII psychiatrist evaluates Nazi leaders before the Nuremberg trials, growing increasingly obsessed with understanding evil as he forms a disturbing bond with Hermann Göring.
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Fleeing both the cops and the crooks, James Fox’s cocky Cockney gangster stumbles into a den of hippies, who dose him, ball him, and mess with his mind. Not all of the far-out ‘60s editing tricks have aged well, but watching Fox’s character’s psyche dissolve around Swinging London royalty Mick Jagger and Anita Pallenberg (playin
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Dear Opera Friends:
Please note that, due to an equipment upgrade, the first Met Opera: Live in HD broadcast at The Charles Theatre this season will be La Bohème on November 8th. The Charles Theatre will not be screening La Sonnambula on October 18th. Once the installation is completed, tickets will be available for purchase.
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From the dawn of talkies comes one of the greatest crime films ever made. Paul Muni’s performance as the scuffling street guy who shoots and schemes his way to the top of the rackets lacks contemporary subtlety, shall we say, but Howard Hawks’ direction dazzles with its skill and vision, and the whole thing moves like a scalded
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Screenwriter Oliver Stone and director Brian De Palma faithfully transposed Howard Hawks’ gangster classic 50 years forward to the ‘80s coke boom, inspiring a generation of rap tropes and kindling the conflagration of Al Pacino’s “Big Al” late acting style in the process. Pacino is still arguably great here, but the secret sauce
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This is the end—or so it was understood at the time, before original IP became a value proposition for shareholders. Pros: George Lucas upped the ante on set pieces and the three leads remain magnetic. Con: The first recurring use of blowing up the doomsday thingy as a stock climax and, of course, Ewoks.
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Andrei Tarkovsky’s unconventional account of the life of a 15th-century Russian painter is likely to live on as long as its subject’s icons. Tarkovsky muse Anatoly Solonitsyn never paints a stroke as Andrei. The film instead shadows his episodic struggles with making art in light of the cruelty and venality of the muddy world. A
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Smart move on Terry Gilliam’s part adopting a cockeyed steampunk aesthetic here. It places the film slightly outside the typical pop-culture timescale and keeps a fable-like veneer slapped on top of what is, at root, a dystopian tale of repression, stupidity, and cruelty. Jonathan Pryce stars as the most everyman Everyman ever.
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Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. The second of a two-part feature film adaptation of the Broadway musical.
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One of the great ‘70s paranoid thrillers rests on the narrow shoulders of Dustin Hoffman. Working his annoying-kid vibe to his advantage, Hoffman’s everydork seems suitably overwhelmed when he’s dragged into an international conspiracy involving shadowy government agents and Nazi war criminals (e.g. a delicious Laurence Olivier)
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Peer around Robbie Robertson’s ego to locate a top-five greatest concert film. Not only does the Band tear through a heap of their Americana-ground-zero hits like it was the last time, but the murderer’s row of special guests can’t be topped: Muddy Waters, Bob Dylan, Neil Young, Joni Mitchell, Van Morrison, and more. Boomer heav
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Toshiro Mifune in a crisp white suit and cap presents one of the underrated iconic looks in cinema. His rookie detective loses his pistol to a pickpocket in a heat wave and leads the audience on a tour of postwar Japan’s sweaty mean streets as he tries to get it back before it’s used in more crimes. This is where Akira Kurosawa’
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TWO SCREENINGS ONLY - WEDNESDAY, 12/3/25, 7PM & SATURDAY, 12/6/25, 11:45AM
Mystery, intrigue, beauty, passion, murder – shine a new light on Caravaggio in this dramatic biography…
Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on
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Naked space vampires! If that logline doesn’t sell you, please note that Tobe Hooper (The Texas Chainsaw Massacre, Poltergeist) directs and duly manages to squeeze considerable mileage out of some cool production design, coulda-been-worse practical effects, and C-list actors like Steve Railsback and Peter Firth. Not to mention n
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Barbara Stanwyck’s nightclub-singer moll lams it from the cops and hides out amid a clutch of milquetoast encyclopedia researchers led by hunky grammarian Gary Cooper. Cooper’s character finds her slangy argot fascinating, then falls for the rest of the package. With Howard Hawks directing and Billy Wilder co-writing the script,
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Random people keep turning up gruesomely murdered, their placid killers unaware of having done the deed. The unrelated victims sport an “x” carved deep into their throats. From that premise, Japanese dread master Kiyoshi Kurosawa weaves one of the great modern psychological thrillers and perhaps his deepest meditation on the lon
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Lightning and Thunder, a Milwaukee husband and wife Neil Diamond tribute act, experience soaring success and devastating heartbreak in their musical journey together.
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TWO SCREENINGS ONLY - WEDNESDAY, 1/7/26, 7PM & SATURDAY, 1/10/26, 11:45AM
Hailed as the most successful exhibition in Tate Modern’s history, and equally popular at MoMA New York, audiences are invited to enjoy an intimate, behind-the-scenes documentary about this once-in-a-lifetime blockbuster exhibition with expert contributions from those that knew Matisse as well as curators, historians, Tate direc
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TWO SCREENINGS ONLY - WEDNESDAY, 2/4/26, 7PM & SATURDAY, 2/7/26, 11:45AM
From the Director:
I think it’s fair to say that the group of artists working in late 19th-century Paris and that we call ‘the Impressionists’ are the most popular group in art history. Monet, Degas, Renoir, Cezanne, Cassatt, Manet, Morisot, Pissarro, Caillebotte and others. Yet in their own lifetimes they knew poverty and reje
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TWO SCREENINGS ONLY - WEDNESDAY, 3/4/26, 7PM & SATURDAY, 3/7/26, 11:45AM
Without Camille Pissarro, there is no Impressionist movement. He is rightfully known as the father of Impressionism. It was a dramatic path that Pissarro followed, and throughout it all he wrote extensively to his family. It is through these intimate and revealing letters that this gripping film reveals Pissarro’s life and work.
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TWO SCREENINGS ONLY - WEDNESDAY, 4/1/26, 7PM & SATURDAY, 4/4/26, 11:45AM
Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition.
Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other,
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TWO SCREENINGS ONLY - WEDNESDAY, 5/20/26, 7PM & SATURDAY, 5/23/26, 11:45AM
Frida Kahlo is a phenomenon. She is arguably the world’s favorite female artist – beloved by young and old. Exhibition On Screen’s award-winning film – first released during covid to a restricted audience - is back by popular demand with an exciting new addition from the blockbuster transatlantic exhibition from Tate Britain and
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In 1970, Mooney and two cohorts wander into a museum in broad daylight and steal four paintings. When holding onto the art proves more difficult than stealing them, Mooney is relegated to a life on the run.
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